I could have taken a bus, but I decided to walk. This was a mistake, as my journey on this otherwise beautiful autumn morning in Belgrade took me along a highway full of thunderous traffic, noxious car fumes, and a bewildering labyrinth of pedestrian over- and underpasses. But after getting lost and taking twice as long for the trip as intended, I finally arrived in the leafy suburb of my destination: The Museum of African Art.
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The Humboldt Forum in Berlin has been a controversial point of discussion for what seems like forever. The debate about this addition to the urban and cultural landscape of Berlin has revolved around a number of issues, including the history of the site, the cost of the project, and not least the objects to be exhibited there. It is this last point that is of particular interest to us at poco.lit., since the Forum is set to be the new home for Berlin’s ‘non-European’ collections.
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There is, currently and running until the 18th of October 2020, an exhibition on at the Deutsches Historisches Museum (German Historical Museum) in Berlin on Hannah Arendt and the 20th Century. My interest in the exhibition was roused by recently having read The Origins of Totalitarianism, which, unfortunately for me, made up a relatively small part of the exhibition.
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The exhibition ZurückGESCHAUT at the Treptow Museum in Berlin distinguishes itself, to my mind, not so much for what it presents as for how it does this. It opened in October 2017 and was the first permanent exhibition to confront Germany’s histories of colonialism, racism and resistance.
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In March 2019, I visited the ‘Africa Museum’ at Tervuren just outside of Brussels. It was a deeply strange experience.
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