The Afrofuturist movement strives for a space for independence and self-determination for Black people and rejects European universalism. Yet writers on the African continent have also expressed how this label doesn’t speak to and for what they are doing…
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Postcolonial literatures are too often configured as being in some kind of relationship to Europe. Isn’t this just a different kind of Eurocentrism? Zoe Wicomb’s You can’t get lost in Cape Town shows up the inadequacy of a European literary tradition to the stories she wants to tell.
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There is, currently and running until the 18th of October 2020, an exhibition on at the Deutsches Historisches Museum (German Historical Museum) in Berlin on Hannah Arendt and the 20th Century. My interest in the exhibition was roused by recently having read The Origins of Totalitarianism, which, unfortunately for me, made up a relatively small part of the exhibition.
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In “Moffie”, we see that brutal norms of militaristic masculinities are part of how the film treats the theme of race and complicitness.
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Alongside the writer Taiye Selasi, who was introduced in the first essay in this series, the political scientist Achille Mbembe is regarded as a key torchbearer of Afropolitanism. Mbembe presents Afropolitanism as an ethico-political stance.
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Panashe Chigumadzi’s non-fictional These Bones Will Rise Again is a thought-provoking reflection on the intertwined histories of Zimbabwe, and how they have been told.
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