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Magazin: South Africa

Melancholy hope? CA Davids’s How to Be a Revolutionary at the African Book Festival Berlin

“Politics is my first love”, she begins, and it certainly shows as the novel tracks a particular political time and feeling: one where revolutionary hopes give way to futures that fall short of expectation. It is a complex story, succinctly described by the book jacket as “connecting contemporary Shanghai, late Apartheid-era South Africa, and China during the Great Leap Forward and the Tiananmen uprising — and refracting this globe-trotting and time-travelling through [Langston] Hughes’ confessional letters to a South African protégé about the poet’s time in Shanghai [in the 1930s]”.

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Masande Ntshanga
Triangulum

With his second novel, Masande Ntshanga moves into speculative fiction. Triangulum offers a critical commentary on how colonial and apartheid regimes of segregation have ongoing effects in the postapartheid present of Ntshanga’s writing.

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Mohale Mashigo
Intruders

Intruders ranges from stories about familiar monsters – werewolves and ghosts, say – to imagining technologies of the not-too-distant future – eye implant computers, for example. Even when the imagined taps into a familiar trope or figure, like the mermaid, Mashigo gives it a twist…

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Damon Galgut
The Promise

The Promise marks the third time a South African writer has won the Booker: Galgut joins fellow laureates Nadine Gordimer and JM Coetzee. The book is executed with a real skill for the craft of writing, and commands respect for the author’s handling of his medium.

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Sisonke Msimang
Always another country

In her autobiography, Sisonke Msimang portrays her life as strongly influenced by the South African ANC members in exile and the frequent moves of her family to different continents. In an extremely self-critical narrative voice, Msimang recounts the contradictions she had to – and also wanted to – learn to live with.

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