In Meera Syal’s semi-autobiographical novel, Meena Kumar is the only Indian girl in the former British mining village of Tollington. While her parents wait in vain for their daughter’s sudden and definitive metamorphosis into the model Indian girl, all Meena wants is to be a Tollington wench.
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Issa, who lives in Frankfurt am Main, is pregnant and desperate. The situation with her child’s father is complicated as is with her mother. No longer knowing what to do, and at the urging of her mother, she flies to see her grandmother and great-grandmother in Cameroon.
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Cahier d’un retour au pays natal by Aimé Césaire blows up literary and political categories: it is a long poem, but at times it reads like a manifesto; it describes the journey and the search for identity of a young man from Martinique, has autobiographical features, and yet is also a journey into the past that recalls, among other things, the transatlantic slave trade.
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Season of the Shadow reads like a crime novel, and its dark historic background unfolds only little by little: the history of the transatlantic slave trade.
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„Go Tell It on the Mountain is the book I had to write if I was ever going to write anything else. I had to deal with what hurt me most. I had to deal, above all, with my father. “, James Baldwin said of his autobiographical debut novel, published in 1953.
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Lena Albrecht’s novel Weiße Flecken (‘White Spots’ in English) is an excellent example of a critical examination of one’s own whiteness. The novel shows how a young white woman gets the impetus to question the typical narration of German history, takes her newly acquired perspective personally and deals with the entanglements of her own family.
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There is perhaps no other art form that makes time travel so vividly possible as literature. In Diane Oliver’s collection of short stories Neighbours and other stories, we are in the USA of the 1960s, a decade known for protest and political upheaval. The so-called racial segregation. which determines everyday life in the USA, especially in the southern […]
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In her current book Schwarz. Deutsch. Weiblich – Warum Feminismus mehr als Geschlechtergerechtigkeit fordern muss(Black. German. Female – Why feminism must demand more than gender equality in English), Natasha A. Kelly traces the history of Black women in Germany, which she skilfully weaves together with her own life story.
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Arundhati Roy’s The God of Small Things (1997) is one of the most widely known postcolonial novels. It won the Booker Prize in 1997 and has been translated into more than forty languages.
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