If your interests lie with the postcolonial, Shakespeare might seem like an unlikely port of call. Or rather, he might seem representative of a lot of the things a postcolonial approach would be interested in working against. He could, for instance, represent what needs to be removed in calls to ‘decolonize the university’: a dead […]
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Like any respectable Indian family, the Shantis didn’t use the house kitchen, they cooked in their garage.
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The postcolonial occupation with art enables a negotiation that positions itself permanently against the colonial gaze, and in doing so can actually be and become a form of resistance.
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Current power relations are the direct result of the colonial division of the world and, in particular, the organization and state of labor since the colonization of the Americas. It is why today we can no longer speak of colonialism, but of coloniality. And identifying coloniality creates an intervention.
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The home mandir is integral to daily living. It’s your ‘last stop’ before you start your day and before you go to bed. If something good happens, you go here to show your gratitude. When something challenging or terrible happens, you come here for comfort and strength.
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Many people who grow up in Germany believe that colonialism belongs to the distant past and has no influence on them. However, this is not true. Postcolonialism is reflected in the Eurocentric worldview, the media, language and in consumer behaviour.
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In discussing humanism, one is talking about the dignity of human beings and the moral imperative for humane actions. As much as we can justly perceive these hard-earned principles as standards to be maintained, we, as advocates committed to these universally conceived principles, must equally admit their historically ambivalent and abusive role.
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Granted, the cartoon sidewalks are usually spotless apart from the occasional pile of leaves and errant chewing gum, but that doesn’t mean it would have been any better if they’d taken their shoes off. Feet on books? No. Just, NO.
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I would argue that we were raised to see the best parts of our culture and that some of it was made visible via Bollywood. However, this was a world we visited rather than took at face value as the life we should be expected to lead. It is that which has allowed me to hold these films dear whilst still being critical.
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