“I was a palm-wine drinkard since I was a boy of ten years of age. I had no other work than to drink palm-wine in my life.” So begins Amos Tutuola’s famed The Palm-Wine Drinkard, which came out in 1952 and is widely feted as the first West African novel in English published internationally.
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Glory is a book at once comical and horrifying. Cynical and unforgiving, yet somehow hopeful in its last breaths, NoViolet Bulawayo’s second Booker Prize shortlisted novel is keen political commentary and formal innovation in one.
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One of our aims with poco.lit. is to try to demystify some of the key ideas in and around postcolonial studies. In this post, we take a look at an article called “Decolonization is not a metaphor”, published by Eve Tuck and K. Wayne Yang in 2012.
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I could have taken a bus, but I decided to walk. This was a mistake, as my journey on this otherwise beautiful autumn morning in Belgrade took me along a highway full of thunderous traffic, noxious car fumes, and a bewildering labyrinth of pedestrian over- and underpasses. But after getting lost and taking twice as long for the trip as intended, I finally arrived in the leafy suburb of my destination: The Museum of African Art.
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This graphic novel is a fascinating marriage of mainstream appeal and postcolonial-type concerns. Set in the Marvel universe, it follows the Black Panther’s younger sister, Shuri: scientist extraordinaire and uncompromising young woman.
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August Gondiwindi has been washing dishes in miserable grey London for ten years, when the death of her grandfather Albert causes her to journey home to Massacre Plains in Australia. Thus begins the story told by Tara June Winch in The Yield: a book both very beautiful and very sad.
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Last week, Bernardine Evaristo was in town for the Internaionales Literaturfestival Berlin, and we were lucky enough to get an opportunity to chat to her at She Said Books.
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Musa Okwonga’s book is a captivating journey in three parts. Let the narrator take you with him for a spell; you won’t regret it.
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