In Meera Syal’s semi-autobiographical novel, Meena Kumar is the only Indian girl in the former British mining village of Tollington. While her parents wait in vain for their daughter’s sudden and definitive metamorphosis into the model Indian girl, all Meena wants is to be a Tollington wench.
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Around 12,000 kilometers apart are two places that could hardly be more different and yet share the same name: Lüderitz in the north of Saxony-Anhalt and Lüderitz in the southwest of Namibia. The two towns of Lüderitz act as a visual setting for negotiations of the past.
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Like any respectable Indian family, the Shantis didn’t use the house kitchen, they cooked in their garage.
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Current power relations are the direct result of the colonial division of the world and, in particular, the organization and state of labor since the colonization of the Americas. It is why today we can no longer speak of colonialism, but of coloniality. And identifying coloniality creates an intervention.
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The home mandir is integral to daily living. It’s your ‘last stop’ before you start your day and before you go to bed. If something good happens, you go here to show your gratitude. When something challenging or terrible happens, you come here for comfort and strength.
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„Go Tell It on the Mountain is the book I had to write if I was ever going to write anything else. I had to deal with what hurt me most. I had to deal, above all, with my father. “, James Baldwin said of his autobiographical debut novel, published in 1953.
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Granted, the cartoon sidewalks are usually spotless apart from the occasional pile of leaves and errant chewing gum, but that doesn’t mean it would have been any better if they’d taken their shoes off. Feet on books? No. Just, NO.
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In her current book Schwarz. Deutsch. Weiblich – Warum Feminismus mehr als Geschlechtergerechtigkeit fordern muss(Black. German. Female – Why feminism must demand more than gender equality in English), Natasha A. Kelly traces the history of Black women in Germany, which she skilfully weaves together with her own life story.
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I would argue that we were raised to see the best parts of our culture and that some of it was made visible via Bollywood. However, this was a world we visited rather than took at face value as the life we should be expected to lead. It is that which has allowed me to hold these films dear whilst still being critical.
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