As part of our macht.sprache. project, we’re seeking out input from various experts who deal with language, translation or artificial intelligence. With Maja Bogojević and Victoria Jeffries, the producers of the Instagram channel “Erklär mir mal…” (Explain it to me), we discuss the challenges in political work with language.
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Florence Brokowski-Shekete was arguably the first Black German school district director. In her autobiographical work, Mist, die versteht mich ja! Aus dem Leben einer Schwarzen Deutschen (“Damn, she can understand me! From the Life of a Black German”), she recounts how she came to hold this position.
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Her book Why We Matter: The End of Oppression brings together Emilia Roig’s far-ranging body of knowledge. Moving at a rapid pace, the book takes a look at the multiple facets of oppression in nearly all areas of life. Why We Matter can thus be read as a wonderfully accessible introduction to the concept of intersectionality.
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Identitti is Mithu Sanyal’s first novel. I was very much looking forward to this book, and I was not at all disappointed: it examines an identity scandal from all sides with nuance and – despite all seriousness – humour.
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Although Black German history goes back several hundred years, it is often difficult to reconstruct, and the life stories of individuals – such as that of August Sabac el Cher, the administrator of silver in the Prinz-Albrecht-Palais – remain incomplete. Art can fill gaps or at least make them visible in an effective way.
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Nuruddin Farah’s latest novel North of Dawn explores the theme of migration and how settling in a new country is affected by people’s educational background, religion and worldview.
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“On Earth we’re briefly gorgeous” is a dramatic coming-of-age story interlaced with family trauma, and a letter to the mother of the now-adult narrator. This highly poetic book conveys a nuanced and exceedingly ambivalent understanding of violence.
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Alicia Garza is co-founder of #BlackLivesMatter and of the Black Lives Matter Global Network. In her book, The Purpose of Power, she critically reviews the movement’s genesis. Garza’s main message to her readers is that a hashtag doesn’t usually start a movement. Behind movements stand people, and sometimes years or decades of dedication to a political cause, as she describes in detail in nearly 400 pages. But a hashtag can give it greater, even global, visibility.
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Minaret tells the story of a Sudanese family’s fate: of loss, of migration, of drastic social decline, and of the support that religion can provide.
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